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1. IS SILHOUETTE STUDIO BUSINESS EDITION WORTH IT PROFESSIONAL
2. IS SILHOUETTE STUDIO BUSINESS EDITION WORTH IT SERIES

In March 1990, Wings began serializing Tokyo Babylon. Genki Comics began serializing Duklyon: Clamp School Defenders in August 1991, which became the work that the three artists Mokona, Nekoi, and Igarashi enjoyed working on most. In July 1989, Genki Comics began serializing Clamp's second work, Man of Many Faces. RG Veda was originally planned to be a single story rather than a series, although because of good reader response and higher-than-expected sales for its first volume Shinshokan permitted the group to create more volumes, however after each chapter of the manga was released, Shinshokan threatened that it would cease serialization should its popularity fall. In October 1992, Tamayo Akiyama and Leeza Sei officially left the group. In June 1990, Sei Nanao officially left the group (last mentioned in Shōten 6), Sōshi Hishika ( 日鷺総司, Hishika Sōshi), Kazue Nakamori ( 中森かずえ, Nakamori Kazue), and Shinya Omi ( 大海神哉, Ōmi Shin'ya) officially left in March 1993 (as mentioned in the Shōten 3). During the production of the manga RG Veda, O-Kyon had left the group. Nekoi stated that "the only private space had was under desk." īy the time RG Veda debuted, its members had gone down to seven.

Ohkawa stated that she thought she was "gonna die there". ĭuring the time before their official debut, the group moved to Tokyo and rented a small, two-bedroom apartment. The group was given another chance at publication should they submit a new story that Shinshokan liked this time, they submitted RG Veda, which was serializd in Wings magazine. Ohkawa later lambasted the draft, stating that "everything was bad" and attributing the quality to the group's lack of experience, since they had never before completed a story as a cohesive group. They submitted an approximately sixty-page story as a sample, but the work was rejected.

IS SILHOUETTE STUDIO BUSINESS EDITION WORTH IT SERIES

After seeing the comic digest of the manga series that Clamp had published, an editor for Shinshokan's Wings manga magazine asked the group to work for them.

IS SILHOUETTE STUDIO BUSINESS EDITION WORTH IT PROFESSIONAL

The group debuted as professional manga artists when they decided to print the manga RG Veda, which they had first started as a fan comic. Their first collaborative work was entitled "Clamp", which they continued to work on until shortly after their debut. However, in 1987 the group stopped dōjinshi and began creating original work it was at this time they began working on RG Veda, a loose adaptation of the Rigveda. Before they began creating original work, the group produced dōjinshi of Captain Tsubasa, and yaoi dōjinshi of Saint Seiya. The original group of twelve members began to meet at every event held in Osaka and Kobe, which usually occurred once a month. They met and befriended Nanase Ohkawa through one of her friends who had bought comics from Mokona. The three artists were good friends in the same school. Three of Clamp's artists- Mokona, Tsubaki Nekoi, and Satsuki Igarashi-first began drawing manga when they were teenagers, inspired by friends.

The name "Clamp" comes from a misspelling of the word "clump", in the sense of "a bunch of potatoes".

Clamp are noted as among the most critically and commercially acclaimed manga artists in Japan, and as of 2007, have sold nearly 100 million books worldwide. Various series by the group cross-reference each other, and characters reappear in multiple works by the group, with Tsubasa, a series set across multiple dimensions, featuring multiple alternative versions of characters from past works.

Notable works by Clamp include X (1992), Magic Knight Rayearth (1993), Cardcaptor Sakura (1996) and its sequel Cardcaptor Sakura: Clear Card (2016), Chobits (2000), and xxxHolic and Tsubasa: Reservoir Chronicle (both 2003). By the time the group made its mainstream publishing debut with RG Veda in 1989, it was reduced to seven members three more members left in 1993, leaving the four current members of the group. Clamp (stylized as CLAMP) is an all-female Japanese manga artist group, consisting of leader and writer Nanase Ohkawa (born in Osaka), and three artists whose roles shift for each series: Mokona, Tsubaki Nekoi, and Satsuki Igarashi (all born in Kyoto).Ĭlamp was first formed in the mid-1980s as an eleven-member group creating dōjinshi (self-published fan works), and began creating original manga in 1987.